Monday, November 11, 2013

Stranger in a Strange Land



  Hello ladies and gentlemen and to all ships at sea, welcome to the very first book review of Classics of Pop Culture,…yes you read right, an actual book with pages and no illustrations and big words. If this is your first time being exposed to my website and you decided to click on this review then congratulations, you’re braver than you thought. Stranger in a Strange Land is by Robert A. Heinlein and if you don’t know who Heinlein is then don’t worry, you’ve seen his work.

Whether it’s The Puppet Masters which was adapted into the classic sci-fi movie The Invasion of the Body Snatchers to Starship Troopers, Heinlein can be placed on the same level as other sci-fi luminaries as Issac Asimov, Philip K. Dick, and Ray Bradbury.

   Stranger in a Strange land was released in 1961 to a reception that was the literary equivalent to tear someone’s heart out, throwing it in the trash and then lighting it on fire. One critic went so far as to call the book:”…..an affront to the patience and intelligence of the reader.”

    Since then however it has gained status as a classic of the sci-fi genre and is considered a huge influence on the counterculture of the 1960s with its discussions of examining traditional concepts of religion, monogamy, money, and death and experimenting with a course of life that would work for them as opposed to shoehorning themselves into traditional mores. The only negative aspect I can find in this is that it stills holds onto the idea of males being dominant over females, which is fairly prevalent throughout the novel. However its popularity did grow to the point that fans of the book were known to visit Heinlein at his house and discuss the philosophies presented in the story. 

    Stranger in a Strange Land came about from a brainstorming session between Heinlein and his wife. The story was described as a retelling of the Jungle Book but with the human character being raised by Martians rather than wolves. Thankfully they decided to avoid the signature Disney sing-a-long. 

    The story centers around Valentine Michael Smith, a child born to explorers on the very first expedition to Mars that ended in disaster. Another expedition twenty years later finds young Mike alive and well having been raised by the native Martians. Once he is returned to Earth, Mike is confined to a hospital to allow him to physically acclimate himself to the gravity of Earth. Sadly that’s only the beginning of Mike’s problems.

    Since he wasn’t raised on Earth Mike has no understanding of customs and concepts that humans hold in high regard and in some cases that naiveté gets used against him. One early example comes as Mike is very nearly tricked into signing away his inheritance, you see the explorers of the first expedition to Mars were an extraordinary group who were in the upper echelons of their fields and whose contributions to Earth society not only advanced it technologically but also makes Mike a very,very,very rich man due to his being their only direct descendent. How rich are we talking here? Imagine if Bruce Wayne, Tony Stark, Scrooge McDuck, and Richie Rich decided consolidate their wealth into one pot…..it wouldn’t come close to the wealth that Mike now has access to.

    Luckily, Mike has made plenty of friends along the way who enlightens him about the ways of the world. One key friend is a nurse from the hospital named Jill who not only became Mike’s first female friend or “water brother” according to the customs of the Martians, but is the first human female that Mike ever meets. It’s Jill whose concern for Mike’s well-being encourages her to take a chance and help Mike to escape the hospital.

   Another very important water brother is a man by the name of Jubal who is a lawyer/doctor/writer and also happens to be a cynical curmudgeon who takes Mike and Jill under his protection on his personal island along with his entourage of secretaries and maintenance crew. It’s Jubal’s knowledge and craftiness in political circles that allows Mike to gain his freedom. He also becomes a father figure to Mike helps him to learn the customs and culture of Earth and in turn helps him to grow in his understanding or “grokking” of what’s going on around him.

   In turn, Mike also teaches his water brothers the philosophies and language of the Martians, one concept that seems to stick almost right away is the word “grok”. “Grok” seems to be the Martian word for “to drink” but is also used to describe comprehending or understanding and ironically, it’s the first Martian concept that Mike’s water brothers tend to grasp. Mike also begins to grok the concepts of love and sexuality which result in Mike and Jill getting together as well as gaining experiences with Jubal’s secretaries.

   As Mike grows in his grokking he’s exposed to the religions of Earth, specifically the Fosterites who try to entice Mike into joining their sect mainly to have access to Mike’s wealth. Mike senses“wrongness” to the sect and is put off by them, but groks their need to find meaning in their lives. In his exploration of religion and philosophy he finds that all of them have a piece of the bigger puzzle which he boils down to a Martian saying that even he admits is a rough translation: “Thou art God”.

   Eventually it’s from this grokking that Mike decides to try to teach these concepts through the veneer of religion and creates his own which attracts followers from all sects of religion attracted to the Mike’s charisma and the freedom of self that he offers those willing to practice his teachings. This of course pisses off the hierarchy of many, chief among them the Fosterites who actually set fire to Mike’s temple.

     I don’t want to spoil the ending of the book because I’d like to encourage listeners to read this book, there so much more to the story than what I’ve described here. It’s interesting to note that after Heinlein’s death, his wife released a version of “Stranger” with an extra 100+ pages. I haven’t read this version but it might be worth it to some listeners to seek this version out and see for themselves the version of the story that Heinlein wanted to release and what those extra pages could have that shapes or reshapes the story.

   So in the end this book definitely fits the definition of a classic and is a book I would recommend to anyone interested in science fiction. There are many others that I could recommend as well but this is one of the few where I would say “read first”. Well I hope you folks enjoyed the review and ‘til next time, cheers to you all.
  
  

Friday, November 8, 2013

A Solution to the New 52



    Sorry it’s been so long since my last…well, my last anything but life tends to get in thsometimes and I won’t bore you with the details. Yep, shock of shocks; I do in fact have a life. However with recent news about another blunder made by DC Comics, this time concerning the last minute aborted plans for the marriage of Batwoman to her girlfriend it just added to the pile of missteps the company has made since the 2011 reboot of their entire universe. Now I could get into a countdown about the actions of DC but internet reviewer The Last Angry Geek made such a video that explains their blunders better than I ever could. So I would advise my readers to check out that video after reading this article.
  I have to admit that I was one of those who questioned why on earth DC was going this route, aside from the obvious cash grab that is. But I had resigned myself to judge slowly and see for myself what the results of this relaunch would be, the results of that were rather disappointing. I can’t say that I read every issue of the New 52, but I can say that in the majority of the books that I did read I almost immediately noticed a trend, a questionable new direction. This direction could arguably be traced back to around 2004 when a lot of DC’s books started to take a darker tone very much like Marvel’s books. This to me is a rather big mistake because DC for all intents and purposes tossed away one of the elements that made the company stand out, that of the lighter tone of the world and of the idea that these characters were the type one could look up to versus Marvel’s character being the types one could relate to.
    Since 2004 that dynamic had been gradually shifting with the characters being written with the attempt to be more relatable but in the worst ways such as being more egotistical, melodramatic, given to extreme shifts in character or even any amount of character purged all together. The New 52 seems to be the culmination of this direction with a few more add ons, that being that the stories tend to reflect the worst attributes of two eras: DC’s Silver Age and early 90s Image Comics. Basically what it boils down to is this: the stories for the most part seem to be very thin in terms of development, almost as though they were first drafts that got rushed out. Image Comics had this very same problem but made up for it with very flashy art work but even then the chinks in that armor were noticeable. The extreme bodybuilder look, the lack of expression in character’s faces the lack of background art, the over-sexualization of female characters were all hallmarks of comic books during the 1990s but it was Image that was at the forefront of these practices.
     Don’t get me wrong there are some books from the New 52 that I do enjoy the new Swamp Thing and Animal Man series are personal favorites and of course the Batman books have been consistently good. As a Superman fan I find those books rather lacking but if I was to launch into that this would be a much longer post. For the most part though the people I’ve talked to seem to be for the most part disappointed with this new direction and I doubt that DC has any intention to reverse course on this endeavor any time soon. So what can we, as comic book fans do? I think I do have a workable solution to this, I don’t know if anyone has mentioned this but I think it would be a worthwhile course of action.
    I’ve always been a big believer in voting with your wallet, and I think this is a case where that philosophy can be applied. Instead of buying the New 52 books, or at least the ones that aren’t worth our effort, we should buy up everything from before this current reboot. Every single issue, mini-series, trade paperback, collection, and e-comic from that era, if you don’t like the current direction then buy up the stuff from the previous direction. It’s all out there and available and it would show a noticeable shift in DC’s sales reports and tell them that THIS is what the fans want, not what THEY SAY we want but what we really want. Would DC respond to this? How would they respond? I don’t know, all I can say with any certainty is: it couldn’t hurt.

Here's a link to the Last Angry Geek's video concerning DC Comics and their misstepsTop 11 DCNU mistakes